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“We had a lot of fun making the record,” says Rossen. The resulting fifth Grizzly Bear album ‘Painted Ruins’ benefits from having the songs develop in a completely organic way. Don’t be precious or get upset when other bandmates don’t like it. “I was coming at it like – I have to be open with everything,” says Droste. There was a nakedness to receiving each other’s ideas and a lack of tying expectations to particular results.
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Perhaps what was different this time around was the communication barriers were set free. “It was so exciting when it was starting to work,” says Droste. Rossen also continued to track parts for the record at his home upstate. In addition to Allaire, they recorded in Vox Studios in Hollywood and at Taylor’s LA studio in Echo Park. That’s where they recorded a lot of 2009’s ‘Veckatimest’. That relief, that momentum, that sense of a band really relishing the chance to relocate their mojo is apparent on the album, which wound up taking two years to make, via remote writing trips taken variously by Taylor and Droste, and Bear and Rossen, then a retreat to Allaire Studios in New York in June 2016 once there was more of a cohesive collection of songs. Eventually when things started to work we were like, ‘Oh my god it’s happening.’” When it started to come together there were a lot of ideas. “In a way it’s a miracle this album happened because for a while it was to be decided. “I’m of the mindset that I never know if we’ll make another album, no matter how good or bad things are,” says Droste. Once that catalyst came, there was still the question of whether or not it was going to work. “I learned guitar so I could write songs for the band,” he says, as eager as he was then to be in conversation about Grizzly Bear. Taylor wrote the song ‘Systole’ during his time in Berlin, and it is his first lead vocal for the band. The song ‘Sky Took Hold’ got its start in one of those sessions. “I’m so grateful to him because I don’t know whether it would have organically happened otherwise.” Taylor even bought a guitar after five months of little progress and wrote in Big Sur. “Chris Taylor started this motherfucker,” adds Droste. “Yeah this time around we came to it slowly,” agrees Rossen. “We got into the water with one toe at a time to avoid freaking everyone out,” recalls Taylor. The word ‘album’ was a forbidden utterance at this point in time. They did have one song – ‘Losing All Sense’ – that made it to the record, but Rossen was reticent to call this the beginning of something. It was, however, quite a slow process, starting in March 2015. The dropbox was a home for inspiration, mood boards, ideas for music, demos, even songs. It was new for them, less pressurized, far more relaxed and a guaranteed prevention measure against creative stalemate. The intention was to allow the band a gentler entry point for starting to think about coming together again. While all four members were strewn across their various corners, he took it upon himself to start a cloud account – essentially a dropbox. I was getting bored over here.” He laughs. I stayed busy, I wrote a cook book, produced other people, but my favorite thing to do was work with my band. I wanted to be making music with my band again. “Telling them that we should start making a record. “I kinda kept writing everyone,” he says. The band’s mediator since the beginning, his feet started to itch after the usual six months of downtime. He produced for other artists and made a solo record under the moniker CANT.
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Vocalist and songwriter Ed Droste adapted back to life in Los Angeles, his new adopted home and decided to distance himself from music and the industry, vocalist, songwriter, and multi-instrumentalist Daniel Rossen moved to a remote area of upstate New York and continued to write and record on his own, drummer, songwriter, and multi-instrumentalist Christopher Bear continued playing with various projects and worked on scoring a TV series, and vocalist, multi-instrumentalist, songwriter, and producer Chris Taylor decided to go West to LA after a one year stint in Berlin. And so they went their separate ways and bedded down in different corners. It’s equal and it’s fair but it can also take a lot of out of them. The band who emerged in 2004 in Brooklyn, New York, have forever functioned as a self-described “democracy”.
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No dramatic decisions were made, no arguments were had, but there was a feeling as there always is with the foursome that a breather was required. When Grizzly Bear came to the end of the road with their fourth album, 2012’s ‘Shields’, the future was unclear.